摘要
20世纪的法国小说形成了以物为导向的新趋势,其实质是反对将人/物关系置于主客对立的认知模式中,破除人对物性的遮蔽,寻求人描述物的正确方式,以此呈现物的本来面目。在上述目标的指引下,作家们以各自不同的方式重新书写事物,建构人/物关系,从而使19世纪之前的小说传统被解域,新的小说形态和内涵得以形成。
The French novels of the 20th century have formed an object-oriented trend. Its essential purpose was to oppose the cognitive mode of subject-object opposition in which man is put against the thing. It tried to disclose the thingness of things and to seek the right way to describe things in order to demonstrte what they really are. The writers tried their best to describe things and construct interpersonal relations in different ways, deterritoriolizing the traditions of the 19 th century and forming new connotations of the new novels.
作者
周小莉
ZHOU Xiao-li(School of Chinese Literature,Lanzhou University,Lanzhou 730000,China)
出处
《兰州大学学报（社会科学版）》
CSSCI
北大核心
2020年第1期150-157,共8页
Journal of Lanzhou University（Social Sciences）
基金
兰州大学中央高校基本科研业务费专项资金项目“西方小说中的空间类型研究”(2019jbkyzy030)。
关键词
法国小说
物转向
物性
遮蔽
解蔽
French Novols
objet-turn
Thingness
Verbergen
Entbergen
