形的新生法兰克福现代艺术博物馆的空间重构

The Emergence of a New Form The Space Restruction of the Museum für Moderne Kunst,Frankfurt

文章通过对法兰克福现代艺术博物馆的空间分析,揭示了汉斯·霍莱因,这位一直被视作后现代旗手的建筑师的实践,延续维也纳现代建筑早期卡米洛·西特对于建筑与城市关系的讨论,以及阿道夫·路斯等人对于人的路径与室内空间关系的处理。在这个案例中,建筑师顺应了场地三角形的几何特征以及传统街角建筑的布局模式,通过引入一条斜穿于对称体系下的路径,配合三角形原型空间的反复穿套,实现了内部戏剧性的体验。

Through the spatial analysis of the Museum fur Moderne Kunst in Frankfurt,this paper reveals Hans Hollein,an architect who has been regarded as a post-modern pioneer,has actually inherited the discussion of the relationship between the architecture and urban environment by Camillo Sitte,as well as the treatment of the relationship between people’s movements and interior space by Adolf Loos et al.in the early modern architecture period of Vienna.In this case,the architect complied with the geometric characteristics of this triangle site and the layout pattern of the traditional street-corner buildings,and realized the dramatic experience of interior space by introducing a path obliquely penetrating the symmetrical system and matching the repeating penetration of triangular prototype spaces.