清代官员宦游中的经世与逸乐——周凯《武当纪游二十四图》《闽南纪胜十二景》的双重性格

Statecraft and Pleasure of Official’s Travel in Qing Dynasty: The Double Personality of “Twenty-four Paintings on Traveling in Wudang” and “Twelve Paintings on Scenes of Southern Fujian” Drawn by Zhou Kai

清代经世派官员、画家周凯与门生共同创作的《武当纪游二十四图》《闽南纪胜十二景》同为典型的文人纪胜山水,但在创作目的、主题、手法等方面均有明显的差异。另一方面,虽各有侧重,二册页却同时表现出画家游走于经世事功和优游林泉之间的双重价值追求。以图画为主要讨论对象,配合以相关史料的考证,可探讨儒家道德与审美、入世与出世在宦游题材画作中表现出的紧张和融合关系。

"Twenty-four Paintings on Traveling in Wudang" and "Twelve Paintings on Scenes of Southern Fujian" drawn by the official and painter Zhou Kai and his disciples in the Qing Dynasty are typical literati landscape paintings. However, the two paintings have obvious differences in creation purposes, themes, techniques, etc. On the other hand, although each has its own emphasis, the two paintings show the painter’s dual value pursuit between statecraft and pleasure. This paper takes pictures as the main object of discussion, and with the textual research of related historical materials, explores the relationship of tension and integration between Confucian morality and aesthetics, in the world and beyond the world in the official’s travel paintings.