李季《王贵与李香香》情爱描写基因探寻

Gene Exploration on Love Description in Li Ji’s Wang Gui and Li Xiangxiang

李季以“顺天游”民歌为艺术基础创作的长篇叙事诗歌《王贵与李香香》,描写了王贵和李香香的恋爱过程,从少男少女初恋时的懵懵懂懂难于开口,到新婚三日送离分别时的依恋不舍,再到香香深陷强娶困顿时的思恋坚贞,每一处情爱描写都可以在“顺天游”民歌中找到基因,探到原型。李季将“顺天游”民歌情爱描写的精妙之处加以整合融入到诗歌之中,使得诗歌在情感表达上既具有“顺天游”民歌通俗、直白、大胆的特点,同时兼具了诗歌本身表情达意的深刻性。李季的这一举措,开创了新诗的民歌化、大众化,为诗歌创作乃至文学创作开辟了新道路,创立了新典范。对当下中国诗歌存在的过度文人化,过度意象化问题,以及诗歌口水化与低俗化倾向是一个有益警示。

Li Ji’s long narrative poem Wang Gui and Li Xiangxiang,which is based on the folk song“Shun Tianyou”,describes the love process between Wang Gui and Li Xiangxiang.From the bashfulness when first falling in love to the reluctance to part on the third day of their marriage,then to the perseverance of Xiangxiang when she was deeply in a predicament of marriage,every detail description of love can find its gene in“Shun Tianyou”.Li Ji integrates the delicate description of love in“Shun Tian You”folk songs into his poems,which makes the poems not only have the characteristics of popularity,frankness and boldness of“Shun Tian You”folk songs,but also have the profundity of expressing feelings in the poems themselves.Li Ji’s initiative has opened up a new path for poetry and literary creation,and created a new model for the folk songs and popularization of new poetry.It is also a warning to the over-humanization,over-imagery and the tendency of verbal and vulgarization in Chinese poetry.