摘要
中国传统插花艺术将意趣放在首位,对立意极为重视。从中国传统插花艺术的创作动机着手,抛开视觉艺术均具有的基本的对“美”的追求,从更深入的角度提炼出中国传统插花艺术在道、儒、释三家影响之下所孕育出的“天人合一、托物寓情、物随原境”的立意特性。
Chinese traditional flower arrangement art puts interest first and attaches great importance to conception.Starting from the creative motivation of Chinese traditional flower arrangement art,the paper puts aside the basic pursuit of"beauty"in visual art,and extracts from a deeper perspective the ideological characteristics of"harmony of heaven and man,supporting things to convey feelings,and keeping things with the original situation"bred by Chinese traditional flower arrangement art under the influence of Taoism,Confucianism and Buddhism.
作者
徐寅岚
XU Yin-lan(School of Arts,Southeast University,Institute of Arts&Design,Nanjing 210000,China;Nanjing Institute of Technology,Nanjing 210000,China)
出处
《湖南大学学报（社会科学版）》
CSSCI
北大核心
2020年第2期96-102,共7页
Journal of Hunan University(Social Sciences)
基金
教育部人文社会科学研究青年基金项目:拨得雾散见花开:中国传统插花艺术特性研究(15YJCZH194)
湖南省社会科学成果评审委员会课题一般课题:国有文物活化利用的法律促进机制研究(XSP19YBZ150)。
关键词
传统插花
立意特性
天人合一
托物寓情
物随原境
traditional flower arrangement
the characteristics of conception
harmony of heaven and man
supporting things to convey feelings
keeping things with the original situation
