论毕赣电影的诗性特质

On the Poetic Nature of Bi Gan's Movies

随着《地球最后的夜晚》上映,毕赣已然成为2019年伊始颇具话题性的导演。作为新生代导演中极具个人特色的一位,其影作极具个人化风格,弥漫着随处可见的“诗意”气息,相较于以往多以现实主义题材为主的艺术电影,毕赣的影作将目光聚焦于西南边陲,将日常生活通过影像方式进行诗化处理,在他的电影中时间空间的界限被模糊化,这种诗性的影像表达方式为中国艺术电影的生态多样性作出了贡献,也在中国艺术电影的发展史画上了浓墨重彩的一笔。

With the release of the movie The Last Night of the Earth,Bi Gan has become the most topical director at the beginning of 2019.As a very personal character of the new generation of directors,the film has a very personal style,filled with the ubiquitous"poetic"atmosphere,compared to the past in which more art films were based on realism,Bi Gan focused on the southwestern region in the film,the film was poeticized through daily imaging,and the boundaries of time and space in his films was blurred.His poetic image expression not only contributed greatly to the ecological diversity of Chinese art films,but also painted a rich and colorful stroke for the history of Chinese art film.