论程耳电影的美学特征

On the Aesthetic Characteristics of Cheng Er's Films

自20世纪90年代成长至今,中国的新生代导演在影坛呈现出别具匠心的风貌。程耳作为中国新生代导演的代表人物之一,虽然院线影片仅有三部,但他的作品呈现出独特的个人风格。程耳的电影作品以都市生活为背景,始终在探寻人类生存的境遇,影片中往往对人性加以挖掘,透露出各种社会问题。文章以程耳的三部长片(《第三个人》《边境风云》《罗曼蒂克消亡史》)为例,对程耳电影进行系统梳理和总结,通过对他作品中的意向内涵的深入研究,分析程耳电影作品中的主题意蕴、叙事结构和影像呈现。

Since the 1990s,Chinese directors of the new generation have taken on a unique style in the film industry.Cheng Er is one of the representatives of the new generation directors in China.Although there are only three cinema-line films,his works show a unique personal style.Cheng Er's movies are based on urban life,always exploring the society of human existence.In the movies,human nature is often excavated,revealing various social problems.Taking Cheng Er's three long films(The Third Man,The Border Storm,The History of Romantic Decay)as examples,this paper systematically combed and summarized Cheng Er's films.Through a thorough study of the intentional connotations in his works,this paper analyzed the thematic connotations,narrative structure and image presentation in Cheng Er's films.