民国时期巴蜀诗学向传统诗学的回归——以刘咸炘诗学研究为中心

Return of Ba-Shu Poetics to Traditional Poetics in the Republic of China--A Case Study of Liu Xianxin’s Poetics Researches

民国时期,在新旧诗学交替过程中,巴蜀诗学依然保持着传统诗学的传承。这种传承是通过巴蜀学人对传统诗学的坚守来完成的。刘咸炘的诗学思想是民国时期巴蜀诗学史上传统诗学传承的一个缩影。刘咸炘诗歌理论回归于传统的诗学观,倡导温柔敦厚的诗教论,提倡学习汉魏诗歌,延续汉魏风骨的诗风。作为传统诗学的捍卫者,刘咸炘并没有表现出对新诗创作的反对,他对新诗的创作,不是避而不谈,而是保持一种隔岸观火的态度去认识和理解。刘咸炘创作的古体诗融入通俗语,反映时代特征,体现了当时巴蜀诗坛旧诗人在新旧诗体的交替过程中坚守传统诗学、努力为旧诗的发展寻求一条新的道路的追求。

In the Republic of China,Ba-Shu poetics still maintained the inheritance of traditional poetics in the process of the alternation of old and new poetics.Liu Xianxin’s poetic thought is a miniature of the inheritance of traditional poetics in Ba-Shu poetic history in the Republic of China.Liu Xianxin’s poetic theory,rooted in the traditional poetics,advocates gentle and sincere poetry teaching theory,supports learning Han and Wei poetry and continuing the poetic style of Han and Wei.Instead of opposing new poetics,Liu holds a detached attitude to that.He introduces colloquial expressions in his traditional style poems,which is characteristic of his time and also reveals traditional Ba-Shu poets’efforts to seek development while maintaining the tradition.