摘要
贾平凹处理历史题材的做法带有詹姆森意义上的存在历史主义色彩,并有意在祛魅中去神话化,另行打造了日常生活的异质性"装置",从而把革命嵌入日常生活"大地"之中,以更大的意义框架或系统来补充和阐释革命,营造革命本源的现实生活基地,以远望或遥测革命的诗性和弹性。后革命时代的转型有意无意地预设和赋予了贾平凹当代日常生活基础上的历史测绘和编纂者角色。贾平凹通过女性日常生活视角实现了历史与现实的融通,并为此安排了三条线索:以井宗丞为代表的为理想而献身的"民本",以井宗秀为代表的"官"本和以陆菊人为代表的"人"本。《山本》提供了新的写作伦理和可能性,触及了亟待解决的难题。
Jia Pingwa’s method to deal with history is full of existential historicism in the sense of Jameson and deliberately demythologizes disenchantment,which sets up a heterogeneous system of everyday life to shape meaning of revolution.It complements and explains the revolution with a larger meaning frame or system,creates a real-life base of revolutionary origin and looks at the poetry and flexibility of the revolution.The transformation of the post-revolutionary era intentionally or unintentionally presupposes and gives Jia Pingwa the role of historical surveying and compiling based on contemporary daily life.Jia Pingwa realized the integration of history and reality through the perspective of women’s daily life,and arranged three clues for this:the"people-oriented"idealized by Jing Zongcheng as the representative,and the"official"version represented by Jing Zongxiu.And the"human"version represented by Lu Juren.Qin Ling provides new ethics and possibilities of writing,and touches on difficult problems to be solved.
作者
关峰
Guan Feng(Faculty of Liberal Arts,Northwest University,Xi’an 710127,China)
出处
《齐鲁师范学院学报》
2020年第1期111-118,共8页
Journal of Qilu Normal University
基金
陕西省社会科学基金一般项目:日常生活视域下陕西长篇小说的精神谱系研究(2016J033)。