摘要
青阳腔滚调是戏曲研究的一个非常重要概念,但因为研究资料不足而涉足的研究者不多。它在戏曲发展史上具有枢纽和桥梁的意义,由于种种原因长期以来被忽视和回避。本文拟从滚调基本命义、基本功能、生成法则等方面来探究其在戏曲史中的意义,以还原滚调在戏曲史中应有的地位与作用。
Gundiao of Qingyang Qiang is an important concept in the study of traditional Chinese opera,which has the significance of hub and bridge in the history of traditional Chinese Opera.It has been ignored and avoided for a long time due to various reasons.This paper intends to explore the significance of Gundiao melody in the history of Chinese opera from the aspects of its basic meaning,basic function and generation rules,so as to restore its due position and function in the history of Chinese opera.
作者
王子文
熊碧祾
Wang Ziwen;Xiong Biling(Academy of Arts,Jiangxi Science and Technology Normal University;Academy of History and Culture,Jiangxi Science and Technology Normal University,Nanchang Jiangxi,330038)
出处
《地方文化研究》
2020年第1期17-24,共8页
Local Culture Research
基金
江西省社科规划“九江青阳腔手抄本搜集、整理与研究”(项目编号:19YS19)阶段性成果之一
江西科技师范大学开放基金课题“湖口县青阳腔手抄本整理与研究”(项目编号:KFGJ19033)阶段性成果之一。
关键词
滚调
板腔体
曲牌体
过渡
Gundiao
Banqiang style
Qupai style