里马斯·图米纳斯与“新幻想现实主义”

Rimas Tuminas and New Fantastic Realism

里马斯·图米纳斯的戏剧是在探讨关于人的本身以及信仰的追求,在展现现实的同时保留美好的希望。他通过简约的舞台美术设计,采用即兴而有机的排练方式,给予演员最大的自由度,将体验与表现二者相结合,呈现出亦真亦幻的舞台视听效果。他的舞台表达注重内敛和留白,调动观众的想象力与感受,而最终共同完成演出的全部。这一风格可以称为"新幻想现实主义"。笔者通过对他的学习和工作进行研究与总结,认为他的戏剧思想、创作要求与美学追求,也可以为中国的戏剧发展提供新的思路。

Rimas Tuminas is known for exploring the nature of human beings and the pursuit of faith, revealing the reality and the hope in his productions. Through his minimalist stage design, improvised organic techniques of rehearsal, he provides enough rooms for his actors and actresses to enjoy the liberty of their performing, combines the performing techniques of Stanislavsky method and expressionistic acting techniques effectively, thus, presents impressive audio-visual effects on stage by blending the reality with the fantasy. Besides, he always conceals the feelings and emotions of his characters deeply and leaves proper space for its artistic effect, activates the audiences to imagine and feel, and invites them to join in the performing of his production. Now, his special style is known as new fantastic realism. After being his students and working with him for years, I think his thoughts on theater, his criteria for directing, and his concepts on aesthetics will provide new approaches to Chinese theater.