后人类的奇观情境与文明的终结幻想——精神分析结构中的AI电影被引量：4

The Spectacle of Posthuman Situation and the Fantasy of Civilization's End:AI Films in Psychoanalytic Structure

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摘要对当代观者而言,AI电影,即表现和反思人工智能的电影,所提供的关于人类未来命运的叙事框架及视觉奇观,因其与现实境遇的密切互动已渐趋成为一种备受关注的类型。虽然电影把故事背景设定在了某个未来的时间维度和后人类的奇观情境中,但这种幻想却又实在地指向现在,指向人与机器之间自明界线的溃败(如"意识""情感""身体"等),以及人工智能伦理准则的建构。作为一种时代征候,AI电影的特殊性就在于,通过未来与现在以及机器与人类的交错重叠,为无意识的运作建构了一个新的基底。由此,这里对AI电影的讨论,并不着眼于以电影史的方式梳理拍摄技术及表现主题的变迁,而是试图借助精神分析的三界框架阐释人与机器的多重欲望关系,探察人工智能时代的存在焦虑和伦理危机。

作者张霖源 Zhang Linyuan

机构地区湖南师范大学哲学系

出处《文艺研究》 CSSCI 北大核心 2020年第2期100-110,共11页 Literature & Art Studies

基金国家社会科学基金青年项目“恋物/拜物的理论谱系及其文化批评研究”(批准号:18CZX069)成果。

关键词电影史现实境遇人工智能精神分析视觉奇观伦理危机拍摄技术叙事框架

分类号 J905 [艺术—电影电视艺术]

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参考文献1

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