摘要
在现代中国文学批评史上,杨鸿烈的《中国诗学大纲》是很值得重视的一部论著。杨著根本目的是将中国诗学纳入世界文学的演进轨道。他自觉运用现代科学、系统的研究方法对中国诗学进行整理,引入西方的纯文学观及进化论解释中国诗学的演进,站在新文学的立场,对传统诗学予以评判。这些在当时来讲,都是具有开创意义的。然而,“以西释中”“以新汰旧”未必合乎中国文学的实际,由此暴露出了不少缺点。研究杨鸿烈的《中国诗学大纲》,可以很好地窥测现代转型过程中中国诗学的实践路径,对当代诗学也有正反两方面的启发意义。
In the history of modern Chinese literary criticism,Yang Honglie’s outline of Chinese poetics is an important work.His fundamental purpose is to put the Chinese poetics into the evolution of world literature consciously using the research methods of modern science and system arrangement for Chinese poetics,the introduction of western pure literature view and the theory of evolution to explain the evolution of Chinese poetics,standing in the position of the new literature,judgment at the time of traditional poetics,is pioneering,however,the study of Yang Honglie’s outline of Chinese poetics is a good way to probe into the practice path of Chinese poetics in the process of modern transformation,which has both positive and negative enlightenment to contemporary poetics.
出处
《理论界》
2020年第1期83-88,共6页
Theory Horizon
基金
教育部人文社会科学重点研究基地重大项目“20世纪传统诗学批评文献整理与理论研究”(16JJD750011)的研究成果。
关键词
杨鸿烈
《中国诗学大纲》
新文学
Yang Honglie
outline of Chinese poetics
new-vernacular poetry