摘要
脂砚斋"至情说"强调小说写"情"的精神内核,认为情与淫相区别,"情里无淫,淫里无情",情是一种艺术审美的爱,情是生命的灵魂.文学作品应写出情的深刻性、复杂性、矛盾性."沥血滴髓之至情至神"是心神的完全契合,是情的心灵化、精神化,达到情幻之境,了悟"情即是幻",使"至情"具有了悲情的美.
Zhi Yan Zhai’s“Notions of Utmost Love”emphasizes the spiritual core of a novel is“love”.Love is different from obscenity,there should be no obscenity in love and no love in obscenity.Love is an artistic aesthetic love and the soul of life.A literary work should depict the profoundness,complexity and contradiction of love.“Willing to bleed and die for love”is the utmost state of love.It is the perfect alignment of the mind and the spirit.“Love”reaches the state of feeling illusion and realizes that“feeling is illusion”,so that“feeling”has the beauty of sadness.
作者
高明月
GAO Mingyue(Literature School,Guangxi Normal University)
出处
《河南教育学院学报（哲学社会科学版）》
2020年第1期1-6,共6页
Journal of Henan Institute of Education(Philosophy and Social Sciences Edition)
基金
国家社科基金重大项目“改革开放四十年文学批评学术史研究”(18ZDA276)。
关键词
脂砚斋
至情至神
意淫
幻
Zhi Yan Zhai
utmost love and profound spirit
obscenity
magic
