中国设计史中的赞助现象研究--以陶瓷为例

Research on the Phenomenon of Sponsorship in the History of Chinese Designing

艺术赞助是二十世纪西方艺术史学研究领域的显学,二十世纪中后期影响到中国。综观中西艺术赞助的研究成果,纯艺术是其研究的核心对象,而极少将实用艺术作为独立的主体研究对象。从中国古代陶瓷艺术的发展看,赞助不仅为陶瓷艺术的发展与变革提供动力,同时赞助又通过陶瓷艺术本身与社会的其他力量互相交织,继而构建起更为复杂的赞助系统。这一系统在陶瓷工艺的传授与交流、陶瓷经济(含外贸)的发展、陶瓷理论的成书与编译、宗教与世俗的信仰、政治利益与社会关系等层面中发挥了独特而有效的积极作用。

Art sponsorship is a thriving branch in the research of western art history in the 20th century,and in the middle and late period of 20th century it began to influence China.When making a comprehensive survey of the research achievements on eastern and western art sponsorship,it is found out that pure art is often the core object being researched,and only in very few cases practical art is researched as the independent object.Viewed from the development of Chinese ancient ceramic art,sponsorship not only provides impetus for the development and transform of ceramic art,at the same time through ceramic art itself,sponsorship interweaves with other social forces and then constructs more complicated sponsorship system.This system gives play to unique and effective function in aspects such as the instruction and communication of ceramic technique,the development of ceramic economy(including foreign trade),the book and compilation about ceramic theory,religious and worldly belief,political interest and social relationship etc.