摘要
介绍李鼎老师治音韵学常用的参考书,并总结李老在音韵学上的主要学术观点,包括南方音可以在平、上、去、入四声基础上,再依阴声(浊音)和阳声(清音)的不同而分为八声,入声的消失对诗文格律的影响以及借助南方音的读法使入声回归等。此外,还介绍了传统古籍中标注四声的“点发”方法。
Through introducing the commonly reference books used by Li Ding when he taught phonology,this article summarizes Li’s main views on phonology including that southern tones can be divided into eight tones according to the differences between Yin sound(voiced sound)and Yang(clear sound)on the basis of four tones:level,bounce,falling,and entering;the influence of the disappearance of entering tone on the poetic style;and the return of entering tone with the help of the southern pronunciation.In addition,it also introduces the method of marking four tones in ancient books.
出处
《中医药文化》
2020年第1期91-94,共4页
Chinese Medical Culture
基金
上海中医药大学杏林传承型人才培养计划项目“《灵枢》的针灸学解读”
上海中医药大学名师研究工程建设项目
上海市进一步加快中医药事业发展三年行动计划项目(ZY(2018-2020)-CCCX-2001-05)。
关键词
古籍
音韵
平仄声
四声
入声
Ancient Book
Phonology
Level and Oblique Tone
Four Tone
Entering Tone