摘要
2018年日本东京国立博物馆举办"颜真卿——超越王羲之的名笔",其间公布李公麟《五马图》原迹。本文通过对原迹题跋、著录、印鉴的研究,考证出李公麟绘制此图的大致时间与两位宋代藏家;阐释了此图的换配情况、黄庭坚题记格式、书风不同的问题,并对"宝"字印、"睿思殿"印、"询"字印的情况做了基本的推测分析。
The National Museum of Tokyo in Japan held the exhibition"Yan Zhenqing:a Famous Calligrapher Surpassing Wang Xizhi"in 2018,during which Li Gonglin's original Wu Ma Tu(Painting of Five Horses)was announced.Based on research on the epigraph,description and seal of the original work,this paper studies the general time of this drawing by Li Gonglin and the two collectors in Song Dynasty,explains the questions of the saddle changing in the drawing,the style of Huang Tingjian's inscription and the calligraphic style,and makes a basic conjecture and analysis on the seal of character"Bao,""Ruisi Palace"and"Xun".
出处
《南京艺术学院学报(美术与设计)》
CSSCI
北大核心
2020年第1期14-21,I0003,共9页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
教育部人文社会科学研究青年基金项目(19YJC760025)。
关键词
《五马图》
绘制时间
移配
题记
印鉴
Wu Ma Tu(Painting of Five Horses)
drawing time
assignment
inscription
seal