遗失的环节:南宋赵伯驹、赵伯骕的赤壁主题创作

The Missing Section:Zhao Boju,Zhao Bosu`sArtistic Creation of Red Cliff Theme

在《后赤壁赋》主题叙事长卷沉寂了四百余年后,文徵明的《仿赵伯骕后赤壁赋图》突现。这看似缺乏逻辑的画史现象,指示了曾存在赵伯驹、伯骕赤壁图的可能性。在北宋到明代《后赤壁赋》叙事画的图式转变中,赵氏兄弟起到了承上启下的作用。赵氏兄弟的多重身份,在这一题材的创作中得以和解。而其背后的政治意图和创制情境,或与宋高宗主导的苏轼平反工程有关。

The Second Red Cliff Ode,as a narrative painting theme,had not been depicted over four hundred years after Northern Song,until Wen Zhengming's Imitation of“Zhao Bosu's Second Red Cliff Ode Painting”occurred.This illogical phenomenon reflects the possibility of the existence of same subject painting by Zhao Boju and Zhao Bosu.By sorting out the related records and clarifying the features of Zhao brothers,the missing image can be partially restored.Zhao brothers`multiple identities,including imperial member,literatus,military attache and court painter,can reach a balance in this behavior.The political intention and background behind the artwork may be related to the rehabilitate process toSu Shi under the leadership of Song Gaozong.In the transition of Red Cliff narrative schema from Northern Song to Ming,Zhao brothers'painting played a key role in connecting the preceding and the following.