摘要
驰名中外的唐卡艺术具有鲜明的佛教色彩和浓郁的民族特点,艺术风格独特。受藏传佛教影响,内蒙古阿左旗的传统民间工艺马鬃绕线堆绣唐卡,在蒙、藏等多民族文化的相互影响下,经历代僧俗艺人的传承而成为藏传佛教艺术本土化的瑰宝。基于此,以阿拉善马鬃绕线堆绣唐卡的工艺特色为研究视角,从其历史渊源、题材内容、传承发展等几个方面展开调研。
The Thangka art,which is famous at home and abroad,has distinctive buddhist color and strong national characteristics and unique artistic style.Under the influence of Tibetan Buddhism,the traditional folk craft of azuo banner in Inner Mongolia,such as horsehair wound and embroidered Tangka,has become the treasure of Tibetan buddhist art localization through the inheritance of buddhist and folk artists.Based on this,from the perspective of the research on the technological characteristics of the Tangka embroidery of alxa horsehair,the research is carried out from the aspects of its historical origin,subject matter,inheritance and development.
作者
张悦
李崇辉
Zhang Yue;Li CHonghui(Inner Mongolia Normal University Inner Mongolia,Hohhot,011517)
出处
《内蒙古艺术学院学报》
2020年第1期41-48,共8页
Journal of Inner Mongolia Arts University
基金
内蒙古自治区高等学校科学研究项目名栏建设专项项目“田野调查”(项目编号:NJMZ1706)专栏论文。
关键词
马鬃绕线
堆绣唐卡
本土化
传承发展
Winding of horse's mane
Embroidered Thangka
Localization
Inheriting the development