台江施洞苗族服饰刺绣解析与造物意涵的时代性审美实践

Analysis of Embroidery of Shidong Miao Nationality in Taijiang and the Epochal Aesthetic Practice of the Implication of Creation

台江施洞苗族服饰刺绣是黔东南苗族地域极具特色的传统手工艺。本文以台江施洞地区的苗族盛装刺绣为研究对象,通过实地踏查,对在地艺师、手工艺生产者的访谈,以及历史文献及资料搜集整理等研究方法,解析台江施洞苗族服饰刺绣意匠表现,包括材料与技法、纹样与色彩、形制与装饰等。挖掘其中的生活文化与造物意涵,探究蕴含其中的生活审美内容。透过个案分析与参与性实践探索,提出施洞苗族地域刺绣手工艺的发展在体现对传统文化的积淀与传承的同时,更应以理性的态度注入时代的审美精神,将手工艺的造物精神、文化内涵融入现代创意生活之实践中,进一步认识与思考传统手工艺的现代性多元化审美场域构建与未来实践发展之方向。

Shidong Miao’s costume embroidery is a traditional craftsmanship that is unique in the entire Miao area.This article takes the Miao costume embroidery in the Shidong area of Taijiang as the research object,and through the field investigation,interviews with local artisans and crafts producers,as well as historical literature and data collection and other research methods,analyzes the Taijiang Shidong Miao costumes.Embroidery performances;embroidery materials and techniques;patterns and colors;shapes and decorations.Exploring the life culture and the meaning of creation,exploring the artistic rules and aesthetics of life.Through case analysis and participatory practice exploration,it is proposed that the development of regional embroidery crafts should reflect the accumulation and inheritance of traditional culture.The attitude injects the aesthetic spirit of the times,integrates the spiritual connotation of handicraft design into the practice of modern creative life,and further understands the modern diversified practice field and future development direction of traditional handicrafts.