“炫俗射利”的意图——明代托伪之作《筠轩清秘录》研究

Intention to"Making Profit by Confusing the Public"——A Study of the Fake Masterpiece of Jun Xuan Qing Secret Collection in the Ming Dynasty

江苏地区是明清时期伪作和托伪作品主要产生地。书商把张应文所撰《清秘藏》抄本改为三卷,称为《筠轩清秘录》,托伪董其昌所著,并伪造了陈继儒的序,以期获取重利。此书在《论装裱收藏》中也不乏深刻的见解,对后世尤其是《长物志》的成书理念有着一定的影响。《筠轩清秘录》被后世认同的一个证据就是其被收录于曹溶及其门人陶越于康熙时所编辑的《学海类编》。四库馆臣对此著录所载内容也有部分肯定,尤其对收藏装裱的内容基本上是持褒扬态度。

Jiangsu area is the main place where fake and fabricated works were produced during the Ming and Qing Dynasties.The bookseller had changed the three-volume copy of the Qing Secret Collection by ZHANG Yingwen into other book called Jun Xuan Qing Secret Collection,which was fabricated as the work of DONG Qichang,and forged CHENJiru's preface in order to make great profits.This book also has profound insights"on the picture mounting and collection",which has a certain influence on the book-making concept of later generations,especially Zhang Wu Zhi.One piece of evidence that Jun Xuan Qing Secret Collection was recognized by later generations is that it was included in The Book of Learning edited by CAO Rong and his ancestor TAO Yue in the regime period of the Emperor Kangxi.The four branches Library ministers at that time also partially affirmed the content contained in this description,especially the content of the collection and mounting was basically praised.