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从架空到隐身的在场——创意写作叙事策略再聚焦

From Aerial Narration to Presence of Invisibility:Refocusing on the Narrative Strategies of Creative Writing
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摘要 创意写作在国内已获认同,由于创意写作的文体类型研究存在划分标准不一,因此对创意写作叙事策略研究的耙梳亦存在交错混杂等的缺陷。除了冲突、叙事弧线、三维建构、角色和行动元等叙事策略在创意写作中的具体策略实施外,架空叙事、在场与隐身,亦是虚构和非虚构写作的重要叙事策略。 Creative writing has been accepted in China.However,because the dividing criterions of the genre analysis are different,the arrangement of the research on its narrative strategy is imperfect.In addition to the implementation of the specific narrative strategies,such as conflict,narrative line,three-dimensional construction,characters and action elements,etc,aerial narration,presence and invisibility of the narrative are also important narrative strategies in fictional and non-fictional writing.
作者 汪云霞 WANG Yunxia(School of Literature,Cangzhou Normal University,Cangzhou 061001,China)
出处 《广西科技师范学院学报》 2020年第1期5-9,共5页 Journal of Guangxi Science & Technology Normal University
关键词 创意写作 架空叙事 非虚构 隐身 creative writing aerial narration non-fictional invisibility
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