摘要
随着读图时代的到来,图像史料逐渐进入中国文学研究著作。当前的中国文学图文互文研究著作在图像史料中存在一些问题:图像史料的搜集者与研究著作的撰写者并不统一,图像与文字之间存在着意义缝隙;一些图文研究著作选择的图像史料与历史语境不符,削弱了图文的文化语境;一些研究者沉溺于专业趣味,所使用的图像缺乏社会维度,未能在社会历史文化语境中考察文学现场。
With the arrival of picture-reading times,image historical materials have gradually entered into the research works of Chinese literature.There are some problems in the current intertextuality research works of Chinese literature:the collector of image historical materials and the researcher who write works are not unified,there are significant gaps between the image historical materials and the text;some graphic research works weaken the graphic context because the image historical materials are not accord with the historical context;some researchers indulge in the professional interest and the image historical materials lack the social dimension which could not examine the literature spot from the context of social,history and culture.
作者
龙其林
钟丽美
LONG Qi-lin;ZHONG Li-mei(School of Humanities,Guangzhou University,Guangdong 510006,China)
出处
《贵州师范大学学报(社会科学版)》
2020年第2期104-110,共7页
Journal of Guizhou Normal University(Social Sciences)
基金
国家社科基金后期资助项目“中国文学研究图像史料学导论”(18FZW076)
2017年广东省宣传文化发展专项资金“广东特支计划”青年文化英才资助项目(270022)
广州大学青年拔尖人才培养计划“图像史料学的建构——中国文学史著及其研究著作中的图文互文实践与方法探析”(BJ201717)的阶段性成果。
关键词
中国文学
图文互文
图文裂痕
情境混杂
专业趣味
Chinese literature
graphic intertextuality
cracks between picture and text
mixed situation
professional interest