摘要
作为将日常语言哲学,尤其是后期维特根斯坦思想运用于文艺作品阐释的先驱,斯坦利·卡维尔深入分析了后期维氏关于"他者心灵"及"私人语言"的论述,指出一种真正的日常语言思维即是对于"实证性"迷思所带来的怀疑主义诱惑的拒斥。在对于莎剧《科利奥兰纳斯》的解读中,卡维尔通过对于"食欲"这一政治有机体隐喻的剖析,呈现了维氏的相关批判何以是通过一种"戏剧化"行为展现的。以日常语言思维探究戏剧的本体论机制,同时即是在履行维氏所说的"治疗"。
Stanly Cavell is the precursor to apply the philosophy of ordinary language,especially the thought of later Ludwig Wittgenstein,into analyzing literary and artistic works.Through detailed analysis of Wittgenstein’s discussions on the issues of"the mind of the other"and"private language"s,Cavell claims that thinking in ordinary language is to reject a seduction of the skepticism brought about by the myth of positivism.In his reading of Shakespeare’s Coriolanus,Cavell expounds"appetite"as a metaphor of political organism,demonstrating how Wittgenstein’s criticism is embodied in a dramatic way.The ontological mechanism of drama realized through explorations of ordinary language is itself also a practice of what Wittgenstein refers to as"therapy".
作者
林云柯
Lin Yunke(School of Literature,Nankai University,Tianjin 300071,China)
出处
《文艺理论研究》
CSSCI
北大核心
2019年第6期205-212,共8页
Theoretical Studies in Literature and Art
基金
中央高校基本科研业务费专项资金资助项目“日常语言哲学视野下的英美诗学研究”[项目编号:63192232]的阶段性成果。