焦虑·转换·认同:石黑一雄《浮世画家》中身份问题的三重视域

Anxiety,conversion and identification: The triple vision of identity issues in Kazuo Ishiguro’s An Artist of the Floating World

石黑一雄的《浮世画家》以战败后的日本社会为文本背景,以小说中主人公的身份问题结构全文。本文认为,小说主人公小野的身份焦虑产生于"自我抉择"与"他者权威"二者话语的激烈碰撞之中;在转换身份时,其不断地在"自我感"和"道德感"中取舍;在进行个体身份认同的过程中,主体小野又兼有"自我意识局限性"和"身份反思被动性"两种特征。文章试图从身份焦虑、身份转换与身份认同三个视域出发,对作品叙事表象之下潜藏的人物身份认同危机问题进行细致分析,并以此挖掘小说蕴含的深刻哲理意味与精神价值。

Using the defeated Japanese society as the backdrop to An Artist of the Floating World,Kazuo Ishiguro constructs the novel via the identity problems of the protagonist. This paper holds that the protagonist Onokazu’s identity anxiety arose from the fierce collision between the discourse of"self-choice"and"other authority". He constantly chose between"sense of self"and"moral sense"in the course of identity conversion,while in the process of identity identification,he had both the characteristics of"self-consciousness limitation"and"identity reflection passivity". Starting from the three perspectives of identity anxiety,identity conversion and identity identification,this paper attempts to make a detailed analysis of the hidden identity crisis of the character under the narrative surface of the novel,so as to further explore the profound philosophy and spiritual value contained it.