摘要
西方20世纪初的表现主义绘画与我国宋代以苏轼为首开创的文人画思潮殊途同归,他们在艺术主张上存在共同点及相异之处,同时在艺术核心上也存在相同点及相异之处,两者都具有表现性、创造性,都注重主观表现与客观图式的结合,但表现主义拥有狂热激情,苏轼文人画具有理性约束,绘画表现形式的表现主义具有多样性,苏轼文人画具有统一性。
The expressionism painting and the literati’s painting which is found with the leader of Su Shi in our country is different approaches but equally satisfactory in result. In the art core, their performance is a combination of subjective and objective drawings. Both with common characteristics of expressive, creative, abstract and other objective schemata. but at same time they have very different point,the expressionist painting has fanatical passion and diversity, but Literati’s painting of Su Shi has rationality constraint and Unity.
作者
易春莉
YI Chun-li(Zhangzhou City College,Zhangzhou Fujian 363000,China)
出处
《齐齐哈尔师范高等专科学校学报》
2020年第1期87-89,共3页
Journal of Qiqihar Junior Teachers College
关键词
表现主义
文人画
艺术核心
理性
激情
expressionism
literati′s painting
art core
common
different