浅析闽王祠建筑灰塑及彩绘的审美文化特征

On the aesthetic and cultural characteristics of lime sculpture and color painting in the architecture of the ancestral hall of King Min

闽王祠灰塑与彩绘艺术是福州传统祠堂装饰的典型案例。它饰域完整、工艺丰富,展示了传统建筑装饰工艺的审美特色;题材鲜明、表意通俗,体现了闽东祠堂装饰文化儒释道三教合一的典型特征;造型秀逸、格调清丽,充溢着“海滨邹鲁”的福州人文底蕴和闽东独特的海洋文化气息。闽王祠灰塑与彩绘艺术的造型语言和审美样式丰富了福州祠堂文化的审美内容,同时也为闽东灰塑彩绘传统工艺的传承与发展提供了有益的文化审美支撑。

The lime sculpture and color painting art of the ancestral hall of King Min is a typical case of traditional temple decoration in Fuzhou.It has a complete decoration area and rich craftsmanship,showing the aesthetic characteristics of the traditional architectural decoration technology;it has a distinctive theme and popular expression,embodying the typical characteristics of the integration of Confucianism,Buddhism and Taoism in the decoration culture of the ancestral halls in East Fujian;it has a beautiful shape,beautiful style,and is full of the cultural heritage of Fuzhou and the unique marine culture of East Fujian.The modeling language and aesthetic style of the lime sculpture and color painting art of the ancestral hall of King Min enrich the aesthetic content of Fuzhou’s temple culture,and provide a useful cultural and aesthetic support for the inheritance and development of the traditional technology of the lime sculpture and color painting in East Fujian.