摘要
萨加德·查希尔的诗集《熔炼的蓝宝石》收集了他于1960年代初创作的诗歌。他的自由体诗歌创作方法别具一格,脱离诗歌的传统形式,试图创造一种新颖、独特和优美的诗体。传统的乌尔都语诗歌韵律范式包含有韵式、韵节和韵组。几百年来诗人遵循这些规则,并依据基本规则不断地丰富韵式,淘汰陈旧的韵式。萨加德·查希尔认为,诗歌的本质和灵魂是指诗人所要表达的思想旨归,构成诗歌的其他方面都是形式、方法和分散的元件。诗歌形式的重要性只有它与诗歌的灵魂有关联时才有存在的意义。
Poems created by Sajjad Zaher in the 1960s are collected in Pighla Nilam.He,departing from Urdu poetic tradition,aimed to invent an original,unique and elegant style in his free verse.Traditionally,Urdu prosodic paradigm is composed of bahr,rukn and juzv.For hundreds of years,poets have followed these rules and meanwhile made some innovations.He thought that the soul of poem is what the poet intends to express and its form does mean anything only when it relates to the soul.
作者
刘曙雄
LIU Shuxiong(Foreign Studies College,Hunan Normal University,410081,Changsha,China)
出处
《北方工业大学学报》
2019年第6期7-11,38,共6页
Journal of North China University of Technology
基金
2019国家社会科学基金一般项目“中国印度文学学科史研究”(19BWW034)。