摘要
"简约"是中国写意绘画艺术风格特有的审美思想。景德镇明代民窑青花写意绘画在用笔方面以少胜多,以简驭繁,画风流溢,简约拙朴,具有独特美感和审美情趣。本文从线条表达、画面"留白"两方面探析景德镇明代民窑青花写意笔法的简约风格。
"Minimalism"is the aesthetic principle that Chinese freehand-style paintings distinguish with.The freehand-style blue and white paintings on Ming Dynasty Jingdezhen folk ware pursue the minimalist,natural and unaffected be auty by using the fewest possible strokes rather than the most meticulous details to express a complicated idea with a simple composition.This paper analyzes the minimalism of freehand-style blue and white paintings on Ming Dynasty Jingdezhen folk ware in terms of the use of lines and the blanks.
作者
吴庆文
田德毅
詹伊梨
张弛衡
WU Qingwen;TIAN Deyi;ZHAN Yili;ZHANG Chiheng(Jingdezhen Ceramic Institute,Jingdezhen 333403,Jiangxi,China)
出处
《陶瓷学报》
CAS
北大核心
2020年第1期132-136,共5页
Journal of Ceramics
基金
江西省社会科学“十三五”(2019)规划项目(19WT20)。
关键词
景德镇
明代民窑青花
写意笔法
简约风格
Jingdezhen
Ming Dynasty blue and white painting on folk ware
freehand brushwork
minimalist style