摘要
芥川龙之介的短篇小说《杜子春》取材于同名唐传奇《杜子春》,这是芥川龙之介饱读中国古典文学作品的结晶之一。与唐传奇相比,芥川龙之介的《杜子春》在主题提炼、人物形象塑造、故事情节编撰等方面做了较好的承继,但也进行了巧妙的改写,更深刻地揭示了作者的纠结、苦闷的心理。这是芥川龙之介在追寻中国古典文学传统中对自我心路历程的描绘,同时体现出日本新思潮派作家注重艺术的完美与对人物内心世界描写的特征。
Ryunosuke Akutagawa wrote the short story TU Tze-chun based on the Tang Legend DU Zichun,both with the same title.It was one of the fruits of Akutagawa's voracious reading of classical Chinese literature.Compared with Tang Legend,TU Tze-chun vividly shows the contradiction and depression of author's inner world during developing the plot and shaping the characters of the novel,which is the description of his spiritual journey of pursuing Chinese classical literature as well.Therefore,it reveals that Japanese writers of the School of New Thought pay attention to the perfect combination of art and narrative of the characters'psychological world.
作者
周江
ZHOU Jiang(School of Foreign Languages,Xinyang Normal University,Xinyang 464000,China)
出处
《信阳师范学院学报(哲学社会科学版)》
2020年第2期125-128,共4页
Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)
基金
国家社科基金项目(14BZW042)。
关键词
《杜子春》
芥川龙之介
中国古典
TU Tze-chun
Ryunosuke Akutagawa
Chinese classical literature