清罗聘《烟雨归耕图》研究

Research on the Painting Seclusion in Misty Rain of Luo Pin of the Qing Dynasty

山东博物馆所藏罗聘《烟雨归耕图》,是以波臣派画家戴苍所画朱彝尊小像为母本的临摹之作。原作曾因朱彝尊在文人间的影响力而引人注目,但流传经历已难考证。本文根据画上题跋和文献记载,推知原作曾由乾嘉时人钱楷收藏;并探讨临作的绘制时间、背景和流传经历,其应为清嘉庆二年(1797年)罗聘辞京南归之际,应翁方纲之请而临,历经翁方纲、曹振镛、李鹤年、李玉棻及山东省立图书馆收藏。它既是了解原作的重要参照,也是清代文人、画家诗画交游的珍贵记录。

Luo Pin’s Seclusion in Misty Rain collected in the Shandong Museum is a copy imitating the original portrait of Zhu Yizun which is painted by Dai Cang, a Bochon painter. The original work was once noticeable because of Zhu Yizun’s influence among literati, but its handing-down has been difficult to verify. Based on the inscriptions and documentary records on the painting, this paper concludes that the original work was collected by Qian Kai. It also explores the creation time, background and handing-down experience of Luo Pin’s painting, and suggests that the painting was created in 1797 when Luo resigned from Beijing and headed south, at the request of Weng Fanggang. The painting has been collected by Weng Fanggang, Cao Zhenyong, Li Henian, Li Yufen and the Shandong Provincial Library in succession. It is not only an important reference for understanding the original work, but also the proof of the association of literati in the Qing Dynasty.