山地牧场的生存图景与牧民定居的影像“深描”——民族志纪录片《布格勒萨伊》解读

The Survival Prospect of Mountain Pastures and"Deep Description"of the Image of Herdsmen’s Settlement——Interpretation of the ethnographic documentary Buglesay/The Road Ditch

以格尔茨的"深描"理论为框架,视觉人类学界倡导以"语境强化"为表征的"深描式"影像民族志。民族志影片《布格勒萨伊》将哈萨克人族群迁徙之际的心灵震颤置于传统与现代撞击的背景下进行观察,揭示搬迁带来的欣喜与担忧,透过镜头所建构的图像寻求对文化的另一种理解方式,将最为直观的动态影像记录工作,从纯粹的诠释性意图转换到文化与心理的深描。

Within the framework of Gertz's“deep description”theory,the visual anthropology advocates the"deep description"image ethnography characterized by“context reinforcement”.The ethnographic film Buglesay/The Road Ditch observes the spiritual tremor of the Kazakh people during their migration under the background of the collision between tradition and modern,reveals the joy and worry brought by the relocation,seeks another way of understanding the culture through the images constructed by the lens,and transforms the most intuitive dynamic image recording work from the pure interpretative intention to the cultural and psychological deep description.