摘要
徐培均先生《李清照词笺注》主要根据宋人王灼的批评意见,将《点绛唇》(蹴罢秋千)、《减字木兰花》(卖花担上)和《浣溪沙·闺情》(绣面芙蓉一笑开)等三首存在著作权争议的词作,定为李清照所作。然细察此三词的写作视角和欲望表达,只能出自占据性别主体的男性作家,而非李清照所能为。因此,比较合理的做法,是仍如赵万里等前辈谨慎地处理为存疑。
Based on Wang Zhuo's opinion in the Song Dynasty,Xu Peijun,author of the[WTBX]Annotation of Li Qingzhao’Ci concludes that the three Ci pieces of Cuba Qiuqian(蹴罢秋千),Maihua Dan Shang(卖花担上), and Xiumian Furong Yi Xiao Kai(绣面芙蓉一笑开) are Li Qingzhao’s works While according to the writing perspective and desire expression,these pieces can only be written by a male author but not Li Qingzhao Reasonably,the authorship of the pieces should also be questionable.
作者
张欢
冯小禄
ZHANG Huan;FENG Xiao-lu(School of Literature and Language,Yunnan Normal University,Kunming 650500,China)
出处
《辽东学院学报(社会科学版)》
2020年第2期102-106,共5页
Journal of Liaodong University:Social Science Edition
基金
国家社会科学基金一般项目“文化身份和文学权力视域下的明代台阁文学研究”(18BZW057)
云南省高校古委会项目“朱之臣手批《储王合集》整理与研究”。
关键词
李清照
女性形象
男性欲望写作
著作权
Li Qingzhao
women's image
writing with masculine desire
copyright