摘要
随着时尚产业与社会环境矛盾的日益激化,可持续时尚作为解决这一问题的必由之路成了所有从业者的关注焦点。慢时尚服饰设计作为可持续时尚的主要模式之一,在"造物"上要求生产、使用以及处置道德,将设计重点从如提高消费频次转移到服装资源的再利用、自然环境亲和、服装的适用性和精神性需求以及地方时尚文化上来。在"载物"上,要求帮助消费者寻找自我的真实需求,并建立自身与服装的联系,避免非理性消费,设计师则要以制造者、教育者以及活动家的身份,肩负起发展可持续时尚的重任。
With the intensification of the conflict between the fashion industry and the social environment, sustainable fashion as the only way to solve this problem has become the focus of all practitioners.Slow fashion design, as one of the main models of sustainable fashion, requires production, use and disposal of ethics on the "garment creating", shifting the design focus from, for example, increasing the frequency of consumption to the reuse of clothing resources, natural environment affinity, and clothing Applicability and spiritual needs, as well as local fashion culture. In "garment carrying", it is required to help consumers find their true needs and to establish their own connection with clothing to avoid irrational consumption.Designers, as makers, educators, and activists, should shoulder the responsibility for development. The mission of continuous fashion.
作者
张一舟
ZHANG Yi-zhou(Zhejiang University of Finace&Economics Dongfang College,310000,Hangzhou,Zhejiang,China)
出处
《特区经济》
2020年第3期127-129,共3页
Special Zone Economy
基金
杭州市哲学社会科学规划课题“慢时尚背景下的服装设计研究——以“杭派”服装设计为例”的项目成果之一(课题编号:Z19J107)。
关键词
可持续
慢时尚
“造物”
“载物”
sustainability
slow fashion
garment creating
garment carrying