摘要
当代雕塑中的现成品装置作品意义的生成路径与时代密不可分。20万小组从雕塑对材料的加工行为出发,将拆迁的小镇“废墟”重构为具有公共属性的“公园”。针对生活物件、工业废料的形态加以重组后形成景观。“公园”的意义与时代背景想连,单一的形式语言、材料语言和行为分析不再是进入作品的准确入口,在场的体验、行为背景的了解以及熟悉物件重组后的陌生感,是作品意义生成的关键。
The generation path of the meaning of the ready-made installations in contemporary sculpture is closely related to times.Starting from the processing of materials by sculpture,the 200 Thousand Group reconstructed the“ruins”of the demolished town into a“park”with public attributes.The form of everyday objects and industrial waste has been reorganized and shaped into landscapes.The meaning of“park”is connected with the background of times.The single formal language,material language and behavior analysis are no longer the accurate entrance into the work.The onsite experience,the understanding of behavior background and the strangeness after the reconstruction of familiar objects are the keys to the creation of the meaning of works.
出处
《当代美术家》
2020年第2期24-27,共4页
Contemporary Artists
