摘要
借助海德格尔对“技术”的追问可以发现“技艺”在现代与前现代语境中有不同内涵,由此观之,当代艺术设计理论将工艺美术理论作为自己的前身是不够严谨的。对其研究范围进行反思与廓清可以发现,对人之存在方式的探究应作为当代艺术设计理论的重要研究旨归。
With the help of Heidegger’s pursuit of“technology”,we can find that“craft”has different connotations in the modern and pre-modern context.From this perspective,it is not rigorous enough for contemporary art design theory to take the theory of arts and crafts as its predecessor.By rethinking and clarifying the research scope,it can be found that the exploration of human’s existence should be regarded as an important research purpose of contemporary art design theory.
出处
《当代美术家》
2020年第2期68-70,共3页
Contemporary Artists