物象之道 评《炉香清逸:唐宋香炉设计研究》中的伦理维度

The Way of Forming Object’s Images: Comment on the Ethical Dimension of "Graceful Fragrance of Incense Burner: Research on Incense Burner Designed in Tang and Song Dynasties"

文章在对魏洁教授著作研究内容进行三个不同维度分析的基础上,对器物与人之间的投射关系、使用场景和伦理尺度等方面内容进行了解读。指出传统造物观中不但重视器物所承载的自然、社会及人的观念,也注重器物反作用于人的社会功能及影响。认为香炉设计的器用价值不但体现在物质层面和对形式语意的把握,更体现在将自然之道与社会规范微缩于一器,且以静态的方式呈现不同时代特有的观念和认识。

Based on the analysis of the research contents of Professor Wei Jie’s works from three different dimensions, this paper interprets the projection relationship between artifacts and people, the used scenarios and ethical standards. It is pointed out that the traditional concept of creation not only emphasizes on the concept of nature, society and human beings, but also pays attention to the social function and influence of the objects on humans. It is believed that the appliance value of designing incense burner is not only reflected in the material level and the grasp of formal semantics, but also in combining the nature with social norms into one appliance, and presents the unique concept and understanding from different periods in a static way.