摘要
汉代集中奠定了我国文化艺术的意象性审美取向,是中国古典"立象以尽意"造物审美观的体现。西安作为新旧文明交相辉映的国家西部地区重要的中心城市,在高速发展轨道交通的同时,提升城市文化品质愈发显得重要。文章立足于西安地铁壁画创作实践,深入探讨站域文化和区域文化作为地铁壁画艺术创作的重要来源,剖析车站空间艺术与壁画艺术创作的整体协调性,这将对营造车站空间的标识性特征和提升公共精神审美起到积极的影响作用。
The Han Dynasty laid a solid foundation for the imagery aesthetic orientation of Chinese culture and art,and it is the embodiment of the aesthetics of classical Chinese expression of the artistic conception.Xi’an has made rapid progress in urbanization during last few years.Even though,as a city with so long history,its regional culture characteristics are inseparable as pacts of construction in high speed railway network.Based on the practice of Xi’an subway mural creation,this paper profoundly studies the local station culture and regional culture as a vital source of subway mural art creation.It just analyzes the overall coordination between station space art and mural creation,which will play a decisive role in creating the guided and identified features of station space and the promoting the public spiritual aesthetics.
作者
汤雅莉
周俊
Tang Yali;Zhou Jun(Academy of Art,Xi’an University of Architecture and Technology,Xi'an 710043,China)
关键词
地铁壁画
站域文化
汉画像石
人文精神
subway murals
station culture
Han portrait stone
humanistic spirit