摘要
从记忆书写的角度审视美国"9·11"小说中的女性话语,可以细察出与媒体叙事中被遮蔽、被束缚的女性形象相异的文学表达。美国"9·11"小说中的女性话语,不仅以传统女性气质参与建构后"9·11"性别秩序,更以难忘叙事彰显后"9·11"时代女性气质的能动力量。结合后"9·11"时代伦理环境,本文聚焦于《坠落的人》《转吧,这伟大的世界》《屈服》等美国"9·11"小说中的女性记忆书写,分析女性难忘叙事与新时代女性意识和女性气质之间互为彰显的关系。在检视美国"9·11"小说如何对媒体叙事中的性别话语进行改写的同时,探讨美国"9·11"小说对新世纪失衡的性别秩序进行反思与建构的文学实践。
Since September 11, 2001, many novelists’ exploration of the reality of the terrorist attack and its representation in various American "9/11" novels are increasingly related to gender writing. Due to the lack of study on female writing features of American "9/11" novels, this article focuses on female memory writing, which is mainly on how and why the female individuals indulge in unforgettable narratives represented in Don DeLillo’s Falling Man, Colum McCann’s Let the Great World Spin, Amy Waldman’s The Submission, and other American "9/11" novels. Through comparison and contrast of these female memory writings, this article aims to examine the agency and pro-activity with the direction to the future in the unforgettable narrative in these texts and thus explore American "9/11" novels’ reflective and reshaping practice in the competitive discourse of gendered power.
作者
王薇
Wang Wei(English Department,School of Foreign Languages,Qingdao University,Qingdao,Shandong Province,China)
出处
《外国文学》
CSSCI
北大核心
2020年第2期25-34,共10页
Foreign Literature
基金
教育部人文社会科学基金青年项目“美国‘9 11’小说的记忆书写与伦理转向研究”(19YJC752033)。
