20世纪80年代以来的台湾地区现实题材儿童电影文化透视

A Cultural Perspective of Children’s Films with RealisticThemes in Taiwan Since the 1980s

20世纪80年代以来的台湾地区儿童电影创作,涌现出了一批优秀的现实题材电影文本,但目前海峡两岸学界对此并未做系统的梳理。通过从电影发展史视角对这一时期的现实题材儿童电影进行界定与梳理可知:乡土与都市成为了叙事的核心意向,呈现出乡村书写、都市书写以及乡土与都市书写相融合的三种形态。从社会文化视野透视,这种儿童叙事表达与台湾地区经济、社会的历史变迁紧密相关;同时,其艺术创作又有着显见的成人省思特质,传达着创作者浓郁的人文关怀。从审美文化视野透视,这与台湾地区新电影以来的艺术审美风格紧密相关,是我国现实主义创作美学的继承与延续。

A number of outstanding realistic movie texts have emerged in the creation of children’s films in Taiwan since the 1980s.However,the academic circles on both sides of the Taiwan Strait have not systematically combed it,which needs to be viewed from the perspective of film development history.At first,realistically-themed children’s films in the period were defined and sorted out.On the basis of textual combing,it can be seen that the native land and the city have become the core intentions of the children’s narratives since the 1980s,showing three writing forms,i.e.,rural,urban,and the fusion of local and urban writing.Children’s narrative expression is closely related to the historical changes of the economy and society in Taiwan.At the same time,its artistic creation has distinctive characteristics of adult reflection,conveying the rich humanistic care of the creators.Seen from the perspective of aesthetic culture,this is closely related to the artistic aesthetic style since the new Taiwan movie,and it is also the inheritance and continuation of the realistic and creative aesthetics in China.