摘要
我国明代金属加工异常发达,南方的金银首饰工艺达到了前所未有的高度。镶嵌、花丝、錾刻、制胎等工艺十分纯熟,还出现了烧蓝。崇尚奢华的风气于明末发展到极致,不管贵族妇女、大家闺秀,还是优伶婢娼,都是满头珠翠。
By comparison between Chinese jewelry themes during the Ming and Qing Dynasties and the Republic of China (1912-1949) and Western counterparts during the same period, Chinese and Western jewelry features of this period are clarified under different cultural and ideological backgrounds. This is useful to understand the dominating thoughts of jewelry creation in Chinese history and take a closer look at the subsequent occurrence of Western Jewelry Art Movement after this period.
出处
《上海工艺美术》
2020年第1期61-63,共3页
Shanghai Arts & Crafts