“气”与“境”偕——论汪曾祺小说的美学意蕴

An Interpretation of Aesthetic Implication of Wang Zengqi’Novels

汪曾祺的小说具有十分浓厚的抒情诗化倾向,与中国古典文论中的意境相契合。从意境的审美生成来看,实则是气之审美或气化运行在小说形态上的呈现,是作家之"气"与文中之"气"共同灌注与运化而成,形成了"气"与"境"相偕而生的独特审美特征。汪曾祺所提出的"气氛即人物"、语言内在节奏即"文气"等一系列以气为本的创作思想,对意境的审美生成都产生了至关重要的影响。

Wang Zengqi’s novels have a strong tendency of lyric poetry and correspond with the artistic ambience in Chinese classical literary theory.From the perspective of the aesthetic creation of artistic ambience,it is actually the appearance of the aesthetic or gasification of literary pneuma in the form of the novel,and the"pneuma"of the writer and the"pneuma"in the article are infused and carried together,forming the unique aesthetic characteristics of"literary pneuma"and"artistic ambience".Wang zengqi put forward a series of creative ideas based on"Literary pneuma",such as"atmosphere is the characters"andthe inner rhythm of language is"literary pneuma",all of these have a vital influence on the aesthetic creation of artistic ambience.