皎然诗境“空”“有”之辨——兼论法华宗对皎然“诗境说”的影响

Emptiness and Existence in Jiao Ran’s Poetic Realm——Impact of Nichiren Buddhism on Jiao Ran's Theory of Poetic Realm

本文通过辨析皎然诗境对“法身有色义”的体现,总结了皎然造境规律与大乘“有”宗的联系,并结合其诗歌所表露的佛教思想以及其“诗境说”的理论表达,论证了其“诗境说”与法华宗之间的联系,揭示了佛教与诗歌交涉的幽微层面。

Through the reflection of“Dharmakaya has color”in Jiao Ran’s poetic realm,this paper summarizes the link between Jiao Ran’s rules of creating realm and Existence School of Mahayana Buddhism,and on the basis of the Buddhist thought expressed in his poems and his theoretical expression of the“Theory of Poetic Realm”,demonstrates that his“Theory of Poetic Realm”is actually built on the tenet of Nichiren Buddhism,and reveals the subtle interaction between Buddhism and poetry.