先锋意识与形式美学——赵玫早期小说的再解读

Avant-garde Consciousness and Form Aesthetics:Re-interpretation of Zhao Mei’s Early Novels

1986年,赵玫以小说《河东寨》正式开始了小说写作。受当时“先锋写作”的影响,赵玫从多向度拓展了其小说的文体形式,进行了一系列富含现代主义观念和性别意识的文本实验。在早期的创作中,她多运用内倾化的聚焦方式,着重打磨情绪化的叙事语言以及散漫性的叙事结构,表现出极强的“西化”特征。同时,赵玫的“先锋”背后,仍然寄寓着对本土女性生存的曲折关注,她力求深入现实语境,注重人物的心理氛围建构,其文本彰显出浓厚的女性主义精神特质。

Zhao Mei began her novel career with Hedong Village in 1986.Influenced by the“avant-garde writing”at that time,Zhao Mei expanded her novel style in many aspects.She carried out a series of textual experiments of modernism and gender consciousness.In her early works,she mostly used the introverted focusing method,mainly on polishing the emotional narrative language and the scattered narrative structure,which was showing a strong“Westernized”feature.At the same time,beyond Zhao Mei’s“avant-garde”,there is still a tortuous concern about the survival of local women.She strives to penetrate into the real context,focusing on the construction of the psychological atmosphere of the characters.Her texts also show strong feminist spiritual characteristics.