摘要
明代著名书画家、文学家徐渭以其极为个性化的狂草开启和引领了晚明“尚态”书风,把明代书法推向了新的高峰。徐渭之所以有这样的成就,是因为其笔墨之中融入了“逆数”的因子,并通过加强书法线质疾涩对比、突出笔画纵向横向夸张对比、注重章法的散密与整体对比,最终形成了方圆兼济、纵横捭阖、狂放不羁的书法风貌,在中国书法史上独树一帜。
XU Wei,a famous Ming dynasty painter and writer,opened and led a calligraphic style that advocated form and structure in the late Ming dynasty with his extremely individualized wild cursive scripts,and pushed the Ming dynasty calligraphy to a new peak.The reason that XU Wei had such an achievement is the integration of the“unity of opposites”stroke technique in his works.By strengthening the contrast between fast and slow strokes,highlighting the vertical and horizontal strokes exaggeratively,paying attention to the contrast of structure among words and the whole work,he finally formed his static and dynamic,intricate and uninhibited calligraphic style,becoming a unique calligrapher in the history of Chinese calligraphy.
作者
胡太南
HU Tai-nan(School of Anime and Digital Arts,Anhui Sanlian College,Anhui Hefei 230601)
出处
《萍乡学院学报》
2020年第1期77-80,共4页
Journal of Pingxiang University
基金
安徽三联学院科研项目(ptzd2017018)。
关键词
逆数
用笔
徐渭
草书
风格特征
关系
unity of opposites
XU Wei
cursive
style
relationship