高剑父“南亚之行”佛教人物画之研究

Gao Jianfu’s Buddhist Figure Paintings During His Journey to South Asia

在高剑父丰富的人生经历中,民国十九年(1930)至民国二十一年(1932)的"南亚之行"意义非凡,南亚佛教文化以深厚的底蕴给予高氏新的感悟与思考,由此引发高氏人物画艺术风格的转变,并最终促使高氏形成古朴雅逸、不落凡俗的画风。本文重点分析高氏在南亚之行中所画的人物画,从中探讨高氏人物画风格演变的轨迹,挖掘南亚之行及佛教文化对高氏人物画的深刻影响。

In the rich life experience of Gao Jianfu,the "journey to South Asia" from 1930 to 1932 was of great significance.The Buddhist culture with profound connotation in South Asia gave him new insights and thoughts,which led to the change of his figure painting art style and ultimately urged him to form a simple,elegant and unsophisticated style.Through the analysis of Gao’s figure paintings during his journey to South Asia,this paper explores the evolution of the style of his figure painting and digs deep into the profound influence of his journey and Buddhist culture on his figure painting.