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关于沉浸的艺术史考察

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摘要 艺术学视角下的“沉浸”一词可以从心理学、审美感知以及新媒体艺术三个面向来理解。沉浸作为一个横贯艺术史的审美现象,其主要有审美注意高度集中性、主体和对象的高度整合性、感官的综合性以及时间的持续性几个特征。当艺术进入新媒体时代后,艺术欣赏过程中的沉浸也呈现出迥异传统的样态,这主要体现在从意识沉浸到身体沉浸、从单一感官沉浸到全感官沉浸、从静观沉浸到交互沉浸三个方面。
作者 蓝月 李天
机构地区 厦门大学中文系
出处 《艺苑》 2020年第1期16-19,共4页 FORUM OF ARTS
基金 深圳市哲学社会科学规划课题(SZ2019C010) 教育部人文社会科学研究规划基金(19YJCZH086)资助。
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