论朱熹琴律理论中的儒家乐教思想

On the Idea of Music Edification in Zhu Xi’s Theory of Music Temperament

朱熹的琴律理论主要包括运用三分损益法的生律思路计算五音十二律与古琴徽位、琴上三准的掐断率并对其进行划分等。朱熹琴律理论中的儒家乐教思想主要体现在通过琴律以维护君臣关系,即论五音十二律以维护君臣关系、论琴上三准以区分君子与小人、论调弦之法以求五声伦序顺置等。他的乐教思想是以“理”为核心所生发出的一种音乐哲学思想:以“天理”作为乐教思想的理论依据,以“中和”作为乐教思想的心性基础,以“致知”作为乐教思想的最终归宿。

As a famous Neo-Confucian,Zhu Xi(1130-1200)was also well versed in the theory of music temperament.Furthermore,he applied this theory to edification in order to preserve the monarchical and patriarchal system.In fact,his thought of music edification was emanated from the core of“principle”:the“heavenly principle”was drawn as the theoretic basis,the“centrality and harmoniousness”the foundation of heart-mind and human innate nature,and the“attainment of wisdom”the ultimate aim.