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抗战时期陪都重庆的中外音乐文化交流

Music Culture Exchange between China and Foreign Countries in the Auxiliary Capital of Chongqing during the Anti-Japanese War Period
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摘要 抗战时期,陪都重庆群英汇聚、文化交融。众多音乐文化团体、音乐院校、民间音乐组织等如雨后春笋般竞相成立,并积极开展文艺抗战活动和“音乐外交”活动,特殊的时代,赋予音乐这门艺术救亡图存的时代使命。在世界反法西斯的大背景下,音乐成为连接中外沟通的桥梁,跨越了地域和文化的界限,实现了精神文化上的共鸣。中外音乐文化交流不仅对团结抗战发挥了重要作用,而且对日后音乐文化发展产生了深远影响。 During the Anti-Japanese war period,Chongqing,as the auxiliary capital,gathered outstanding workers and integrated different cultures.Numerous music cultural institutions,music schools and folk music organizations sprang up and carried out the activity of“music diplomacy”and performances in literature and art against the aggression positively.The special times gave the art of music the mission of national salvation.In the global background of anti-fascist,music,as a bridge of communication between China and foreign countries,crossed the territory restrictions and culture boundaries to achieve the resonance of spiritual culture.It not only played a crucial part in the united resistance against aggression,but also had deep influence on the later development of the music culture.
作者 龚永红 Gong Yonghong(College of Music, Chongqing Normal University, Chongqing 401331, China)
出处 《重庆师范大学学报(社会科学版)》 2020年第2期50-58,共9页 Journal of Chongqing Normal University(Edition of Social Sciences)
关键词 抗战 重庆 音乐 交流 the War of Resistance Chongqing music communication
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  • 1TheAmbassador in China (Gauss) to the Secretary of State,Apr. 14,1942,FRUS,1942,China,pp. 709-710.
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