中国古瓷中的明青花牡丹纹的艺术特征

The artistic features of the peony pattern of Ming dynasty blue and white in ancient Chinese porcelain

牡丹纹作为为元明清青花瓷中重要的装饰之一最晚出现瓷器不过宋代,布局和绘画方式变化多样。主要特点为枝叶舒展或是多枝相交,花朵怒放被枝头环抱。明朝时期也是青花瓷发展的一个重要阶段,本文通过对现存明朝时期的青花牡丹纹饰例,分别分析不同风格和技法的青花牡丹纹饰,从而论证其艺术特色,以及对后期造成的影响。

As one of the important decorations in the blue and white porcelain of yuan,Ming,qing and qing dynasties,the peony pattern appeared at the latest,but in the song dynasty,the layout and painting methods varied.The main characteristics of branches and leaves stretch or cross branches,flowers in full bloom by branches around.Ming dynasty was also an important stage in the development of blue and white porcelain.This paper analyzes different styles and techniques of blue and white peony decoration by analyzing the existing examples of blue and white peony decoration in Ming dynasty,so as to demonstrate its artistic characteristics and influence on the later period.